{"id":12250,"date":"2024-02-22T18:05:24","date_gmt":"2024-02-23T00:05:24","guid":{"rendered":"https:\/\/locus.uaa.mx\/?p=12250"},"modified":"2024-03-10T12:53:32","modified_gmt":"2024-03-10T18:53:32","slug":"la-gente-que-no-habla-de-teatro-de-que-habla","status":"publish","type":"post","link":"https:\/\/comunicacion.uaa.mx\/revista\/?p=12250","title":{"rendered":"La Gente que no Habla de Teatro \u00bfDe qu\u00e9 Habla?"},"content":{"rendered":"<p style=\"text-align: justify;\">En 1950 un hombre, Manolo F\u00e1bregas, estrenaba su primera obra como productor &#8220;Celos del aire&#8221; donde tambi\u00e9n actu\u00f3. Ese mismo a\u00f1o dirigi\u00f3 su primera obra: &#8220;Sexteto&#8221;; es entonces cuando comenz\u00f3 a ser reconocido como &#8220;El Se\u00f1or Teatro&#8221; pues invirti\u00f3 todo su dinero para solventar los gastos de montaje.<\/p>\n<p style=\"text-align: justify;\">Manuel Enrique S\u00e1nchez Navarro Schiller (1921-1996) fue el primer mexicano que actu\u00f3 en <strong>Broadway<\/strong> y un gran representante del teatro nacional, ya fuese como productor, director o actor. Estuvo inmerso en el mundo art\u00edstico desde peque\u00f1o gracias a su abuela Virginia F\u00e1bregas \u201cLa Diva Del Teatro\u201d afamada actriz mexicana de inicios del siglo XX.<\/p>\n<p style=\"text-align: justify;\">Manolo naci\u00f3 en Vigo, Pontevedra, sin embargo en 1934 a la edad de 13 a\u00f1os, emigr\u00f3 con su familia a M\u00e9xico y debido a las pocas oportunidades laborales para actuar, continu\u00f3 sus intentos art\u00edsticos como cantante para un programa radiof\u00f3nico de la XEW. Dos a\u00f1os despu\u00e9s se present\u00f3 por primera vez en un escenario con la obra &#8220;La Hiedra&#8221; y se puso el nombre art\u00edstico &#8220;Manolo F\u00e1bregas&#8221;.<\/p>\n<p style=\"text-align: justify;\">Fue un prol\u00edfico promotor del teatro; mientras montaba una obra, ensayaba otra y dirig\u00eda un nuevo proyecto llegando a actuar en una obra distinta cada semana. Mientras que en la pantalla grande sigui\u00f3 como actor de reparto, sus papeles siempre eran c\u00f3micos y simp\u00e1ticos, as\u00ed como tambi\u00e9n en 1952 incursion\u00f3 en la pantalla chica dirigiendo y actuando la telecomedia &#8220;La telecomedia de Manolo F\u00e1bregas&#8221;.<\/p>\n<p style=\"text-align: justify;\">Gracias a \u00e9l algunos de los musicales m\u00e1s glamorosos del extranjero llegaron a M\u00e9xico como lo fue &#8220;El diluvio que viene&#8221;, &#8220;Mi bella dama&#8221;, &#8220;Testigo de cargo&#8221;, &#8220;El hombre elefante&#8221;, y su obra m\u00e1s exitosa, &#8220;El violinista en el tejado&#8221; la cual se present\u00f3 por primera vez en 1965 a\u00f1o en que inaugur\u00f3 uno de sus proyectos m\u00e1s arriesgados: su propio teatro en la colonia San Rafael, Ciudad de M\u00e9xico.<\/p>\n<p style=\"text-align: justify;\">Sin duda el hacer lo que amas genera una vocaci\u00f3n inolvidable. Independientemente donde nos encontremos, dejaremos huella si seguimos nuestra pasi\u00f3n.<\/p>\n<p style=\"text-align: justify;\">Y t\u00fa \u00bfDe qu\u00e9 est\u00e1s hablando hoy?<\/p>\n<p style=\"text-align: justify;\">Danitza Flores, LCI<\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_12250\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=12250\"  data-item_title=\"La Gente que no Habla de Teatro \u00bfDe qu\u00e9 Habla?\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2024\/01\/Nota-3-678x1024.jpg\"  data-item_date=\"2024-02-22T18:05:24-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"excerpt":{"rendered":"<p>En 1950 un hombre, Manolo F&aacute;bregas, estrenaba su primera obra como productor &ldquo;Celos del aire&rdquo; donde tambi&eacute;n actu&oacute;. Ese mismo a&ntilde;o dirigi&oacute; su primera obra: &ldquo;Sexteto&rdquo;; es entonces cuando comenz&oacute; a ser reconocido como &ldquo;El Se&ntilde;or Teatro&rdquo; pues invirti&oacute; todo su dinero para solventar los gastos de montaje. Manuel Enrique S&aacute;nchez Navarro Schiller (1921-1996) fue&#8230;<\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_12250\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=12250\"  data-item_title=\"La Gente que no Habla de Teatro \u00bfDe qu\u00e9 Habla?\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2024\/01\/Nota-3-678x1024.jpg\"  data-item_date=\"2024-02-22T18:05:24-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"author":102,"featured_media":12199,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[5],"tags":[1857,3430,3429,2155,3433,2256,3431,3407,3432,232],"class_list":["post-12250","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinion","tag-disciplina","tag-fabregas","tag-manolo","tag-migracion","tag-montajes","tag-musicales","tag-sanchez-navarro-espana","tag-suenos","tag-tablas","tag-teatro"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La Gente que no Habla de Teatro \u00bfDe qu\u00e9 Habla? - Noticias<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=12250\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Gente que no Habla de Teatro \u00bfDe qu\u00e9 Habla? - Noticias\" \/>\n<meta property=\"og:description\" content=\"En 1950 un hombre, Manolo F&aacute;bregas, estrenaba su primera obra como productor &ldquo;Celos del aire&rdquo; donde tambi&eacute;n actu&oacute;. Ese mismo a&ntilde;o dirigi&oacute; su primera obra: &ldquo;Sexteto&rdquo;; es entonces cuando comenz&oacute; a ser reconocido como &ldquo;El Se&ntilde;or Teatro&rdquo; pues invirti&oacute; todo su dinero para solventar los gastos de montaje. 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Ese mismo a&ntilde;o dirigi&oacute; su primera obra: &ldquo;Sexteto&rdquo;; es entonces cuando comenz&oacute; a ser reconocido como &ldquo;El Se&ntilde;or Teatro&rdquo; pues invirti&oacute; todo su dinero para solventar los gastos de montaje. 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