{"id":6358,"date":"2018-10-11T16:43:00","date_gmt":"2018-10-11T22:43:00","guid":{"rendered":"https:\/\/comunicacion.uaa.mx\/revista\/?p=6358"},"modified":"2019-01-22T16:40:42","modified_gmt":"2019-01-22T22:40:42","slug":"la-tragedia-del-romanticismo","status":"publish","type":"post","link":"https:\/\/comunicacion.uaa.mx\/revista\/?p=6358","title":{"rendered":"La Tragedia del Romanticismo"},"content":{"rendered":"<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">Un Comentario Sobre \u201cIn the mood for love\u201d <\/span><\/p>\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><i>In the mood for love<\/i> de Wong Kar-wai, es quiz\u00e1 la obra m\u00e1s evocativa del romance sin consumar. De la belleza tr\u00e1gica del dolor. De la constante lucha de la transparencia del alma en el opaco de la cultura social. Donde la esencia misma del amor se ve reducida a un marco de expectaci\u00f3n, de barreras.<\/span><\/p>\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">Chow Mo-Wan (Tony Leung Chiu Wai) y Su Li-zhen (Maggie Cheung) se mudan a habitaciones contiguas en el mismo sitio de apartamentos. \u00c9l es un reportero que sue\u00f1a con publicar novelas de artes marciales, y ella es una secretaria de una compa\u00f1\u00eda postal. Sus vidas no se unen hasta descubrir el amor\u00edo de sus respectivas parejas, generando as\u00ed una simulaci\u00f3n, una m\u00e1scara de deseo irremediable ante la soledad y el quiebre, ante la melancol\u00eda. <\/span><\/p>\n<p class=\"western\" style=\"text-align: justify;\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\"><a name=\"_GoBack\"><\/a> El director hace un uso maestro del espacio, capturando a los protagonistas en formas cerradas, fondos como celdas, encuadres precisos para reflejar su distancia y cautela (en la primera mitad del film, nunca se presenta a ambos en el mismo encuadre), convirtiendo, a su vez, al espectador en un voyerista, un elemento m\u00e1s de cr\u00edtica ante la relaci\u00f3n casi ca\u00f3tica que se genera en ambos al desnudar su pecho. Eso sumado a la bella paleta de colores que presenta Wong y al trabajo musical de <span style=\"color: #000000;\">Michael Galasso<\/span>: una oda al erotismo y la sensualidad, una luz de deseo ineludible para los protagonistas. Una historia que nos lleva en c\u00edrculo a los pasos dados. Que nos hace responsables de nosotros mismos. <\/span><\/p>\n<p class=\"western\" style=\"text-align: justify;\" align=\"left\"><span style=\"font-family: Verdana, Geneva; font-size: 12pt;\">\u00bfEs un film sobre amor? S\u00ed; pero lo es tambi\u00e9n de traici\u00f3n, p\u00e9rdida, oportunidades sin aprovechar, soledad y recuerdos. No puedo empezar a recomendar el film lo suficiente. Es una historia que se adapta al momento y las circunstancias. Un film para ser reales cuando hablamos de amor. Una obra para aceptarnos.<\/span><\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_6358\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=6358\"  data-item_title=\"La Tragedia del Romanticismo\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2018\/10\/IN-THE-MOOD-FOR-LOVE-2-1024x576.jpg\"  data-item_date=\"2018-10-11T16:43:00-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"excerpt":{"rendered":"<p>Un Comentario Sobre &ldquo;In the mood for love&rdquo; In the mood for love de Wong Kar-wai, es quiz&aacute; la obra m&aacute;s evocativa del romance sin consumar. De la belleza tr&aacute;gica del dolor. De la constante lucha de la transparencia del alma en el opaco de la cultura social. Donde la esencia misma del amor se&#8230;<\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_6358\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=6358\"  data-item_title=\"La Tragedia del Romanticismo\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2018\/10\/IN-THE-MOOD-FOR-LOVE-2-1024x576.jpg\"  data-item_date=\"2018-10-11T16:43:00-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"author":88,"featured_media":6359,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1100],"tags":[],"class_list":["post-6358","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinefilia"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La Tragedia del Romanticismo - Noticias<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=6358\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Tragedia del Romanticismo - Noticias\" \/>\n<meta property=\"og:description\" content=\"Un Comentario Sobre &ldquo;In the mood for love&rdquo; In the mood for love de Wong Kar-wai, es quiz&aacute; la obra m&aacute;s evocativa del romance sin consumar. 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