{"id":6404,"date":"2018-10-18T14:28:26","date_gmt":"2018-10-18T20:28:26","guid":{"rendered":"https:\/\/comunicacion.uaa.mx\/revista\/?p=6404"},"modified":"2019-01-22T16:41:44","modified_gmt":"2019-01-22T22:41:44","slug":"no-apartes-la-mirada-un-comentario-sobre-come-and-see","status":"publish","type":"post","link":"https:\/\/comunicacion.uaa.mx\/revista\/?p=6404","title":{"rendered":"No apartes la mirada: Un comentario sobre \u201cCome and see\u201d"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Muchos ejemplos pueden darse sobre la visi\u00f3n radical de la guerra. C\u00f3mo el hombre sustenta la tragedia mientras es sometido, y clama justicia cuando somete. Es esa visi\u00f3n polarizada la que mejor explica el conflicto armado. Pero nunca se nos obliga a ver algo, que a\u00fan con todo su contenido anti-b\u00e9lico, nos haga sentir aterrados, minimizados y cobardes. Que nos confronte a devolverle la mirada. <i>\u201cCome and <\/i><i>see<\/i><i>\u201d<\/i> es ese algo; un intercambio tr\u00e1gico de miradas entre el espectador impotente, y la realidad de los hombres que se disfrazan de bestias.\u00a0\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">La trama es simple. En 1943, un joven, Florya, decide a unirse a un grupo rebelde para enfrentarse al ej\u00e9rcito Nazi, durante la ocupaci\u00f3n a la entonces Bielorrusia. El resto es el camino a los adentros de la atrocidad y el sadismo, que encapsula la maldad del hombre, haciendo del film una de las cr\u00f3nicas de guerra con m\u00e1s impacto en la historia del cine.\u00a0\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Lo que hace que este film destaque, no s\u00f3lo como la mejor pel\u00edcula anti-b\u00e9lica, sino tambi\u00e9n como una de las mejores en general, es su capacidad para conectar con la audiencia. El director Elem Klimov, logra combinar aspectos art\u00edsticos, incluso surrealistas, sin despegarse del realismo del horror que muestra. Encuentre el momento id\u00f3neo para introducir una banda sonora, y destaca el silencio cuando no hay otra cosa que escuchar, que el sufrimiento humano. Esa es una barrera que com\u00fanmente no logra superarse. Las emociones del personaje no trascienden al punto que el espectador sea participe de esa subjetividad, de esa aleatoriedad que consume la vivencia de un tercero en la hostilidad misma. Es la maestr\u00eda del director que crea esa ilusi\u00f3n, en la que se nos afronta, y se nos obliga a estar frente al horror, la miseria y la angustia de un personaje, al que su representaci\u00f3n lo hace m\u00e1s de carne que una simple menci\u00f3n\u2026 Nos hace protagonistas.\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Es una cr\u00f3nica de transformaci\u00f3n, del arrebato de la inocencia, del descarne de la juventud hasta tenerla tendida y sin contenido. En que la eterna angustia es el \u00faltimo rostro del hombre.\u00a0<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><i>\u201cCome and <\/i><i>see<\/i><i>\u201d<\/i> puede apreciarse desde los principios y maestr\u00eda en la aplicaci\u00f3n del lenguaje cinematogr\u00e1fico, como en la capacidad para crear un paralelismo tan delgado de perspectivas, que nosotros mismos nos vemos convertidos en el personaje. Es una gema entre gemas, con muy elaboradas y generosas cr\u00edticas, pero con muy poco reconocimiento p\u00fablico. Date la oportunidad de experimentar y juzgar esta pieza f\u00edlmica.<\/span><\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_6404\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=6404\"  data-item_title=\"No apartes la mirada: Un comentario sobre \u201cCome and see\u201d\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2018\/10\/Come-and-see-2.jpg\"  data-item_date=\"2018-10-18T14:28:26-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"excerpt":{"rendered":"<p>Muchos ejemplos pueden darse sobre la visi&oacute;n radical de la guerra. C&oacute;mo el hombre sustenta la tragedia mientras es sometido, y clama justicia cuando somete. Es esa visi&oacute;n polarizada la que mejor explica el conflicto armado. Pero nunca se nos obliga a ver algo, que a&uacute;n con todo su contenido anti-b&eacute;lico, nos haga sentir aterrados,&#8230;<\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_6404\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=6404\"  data-item_title=\"No apartes la mirada: Un comentario sobre \u201cCome and see\u201d\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2018\/10\/Come-and-see-2.jpg\"  data-item_date=\"2018-10-18T14:28:26-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"author":88,"featured_media":6405,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1100],"tags":[],"class_list":["post-6404","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinefilia"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>No apartes la mirada: Un comentario sobre \u201cCome and see\u201d - Noticias<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=6404\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"No apartes la mirada: Un comentario sobre \u201cCome and see\u201d - Noticias\" \/>\n<meta property=\"og:description\" content=\"Muchos ejemplos pueden darse sobre la visi&oacute;n radical de la guerra. 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