{"id":6790,"date":"2019-01-26T15:41:39","date_gmt":"2019-01-26T21:41:39","guid":{"rendered":"https:\/\/comunicacion.uaa.mx\/revista\/?p=6790"},"modified":"2019-02-07T16:02:02","modified_gmt":"2019-02-07T22:02:02","slug":"un-comentario-sobre-el-documental-maestros-de-la-luz","status":"publish","type":"post","link":"https:\/\/comunicacion.uaa.mx\/revista\/?p=6790","title":{"rendered":"Un Comentario Sobre el Documental \u201cMaestros de la luz\u201d"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">En cada \u00e9poca del cine, nac\u00eda una inquietud diferente por lo mostrado en pantalla. Desde elementos m\u00e1s bien ornamentales hasta una profundidad y simetr\u00eda que completaba al argumento de una forma excelsa.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Los directores de fotograf\u00eda son los encargados de narrar intenciones sin necesidad de un impacto en el \u00e1rea escrita. Tomando a los movimientos de c\u00e1mara y montajes como principales art\u00edfices; eran ellos los encargados de traducir y transformar; se les podr\u00eda llamar alquimistas visuales. Todo entorno y todo ambiente creado reca\u00edan en ellos.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><em>Maestros de la luz<\/em>\u00a0es un documental obligatorio para los que\u00a0se sienten atra\u00eddos por el arte de la\u00a0fotograf\u00eda. En apenas una hora conoceremos a\u00a0los responsables de algunas de las im\u00e1genes m\u00e1s bellas de la historia del cine.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Un verdadero hacedor de im\u00e1genes debe narrar situaciones, emociones e intenciones que incluso el actor no puede reflejar por s\u00ed mismo; la imagen habla por \u00e9l.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">El ejemplo que me resulta por dem\u00e1s fant\u00e1stico es <em>Taxi driver, <\/em>concretando el trabajo sin necesidad de cantidades exorbitantes de presupuesto, narrando un entorno decadente con un simple traveling, la intenci\u00f3n de una escena y su trascendencia con un movimiento de c\u00e1mara. El hecho de que el guion es casi tan puntual como el trabajo final; una iluminaci\u00f3n que marca un entorno duro y escenas con un trabajo de montaje tan perfecto que pod\u00edan reflejar a la perfecci\u00f3n la alienaci\u00f3n del personaje Travis Bickle. Incluso la met\u00e1fora del taxi en escena que marca la aislaci\u00f3n del personaje.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Recapitulando, no es importante el hecho de iluminar todo, sino saber cu\u00e1ndo apagar la luz, o dejarla sin encender. Fue en ese punto que la intenci\u00f3n de la iluminaci\u00f3n y la fotograf\u00eda tomar\u00edan la profundidad que vemos incluso en trabajos actuales.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">El trabajo simult\u00e1neo de la narraci\u00f3n escrita y visual tiene una relaci\u00f3n herm\u00e9tica, en que no se compite, sino que se busca una complementaci\u00f3n que deja a relucir la verdadera intenci\u00f3n de un director.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Es un documental para darle vueltas, para con suerte, empezar a ver la genialidad de un mundo a trav\u00e9s de un lente.<\/span><\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_6790\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=6790\"  data-item_title=\"Un Comentario Sobre el Documental \u201cMaestros de la luz\u201d\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2019\/01\/luz.jpg\"  data-item_date=\"2019-01-26T15:41:39-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"excerpt":{"rendered":"<p>En cada &eacute;poca del cine, nac&iacute;a una inquietud diferente por lo mostrado en pantalla. Desde elementos m&aacute;s bien ornamentales hasta una profundidad y simetr&iacute;a que completaba al argumento de una forma excelsa. Los directores de fotograf&iacute;a son los encargados de narrar intenciones sin necesidad de un impacto en el &aacute;rea escrita. Tomando a los movimientos&#8230;<\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_6790\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=6790\"  data-item_title=\"Un Comentario Sobre el Documental \u201cMaestros de la luz\u201d\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2019\/01\/luz.jpg\"  data-item_date=\"2019-01-26T15:41:39-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"author":88,"featured_media":6791,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1100],"tags":[98,1338,1234,19,1474],"class_list":["post-6790","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinefilia","tag-cine","tag-color","tag-documental","tag-fotografia","tag-iluminacion"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Un Comentario Sobre el Documental \u201cMaestros de la luz\u201d - Noticias<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=6790\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Un Comentario Sobre el Documental \u201cMaestros de la luz\u201d - Noticias\" \/>\n<meta property=\"og:description\" content=\"En cada &eacute;poca del cine, nac&iacute;a una inquietud diferente por lo mostrado en pantalla. Desde elementos m&aacute;s bien ornamentales hasta una profundidad y simetr&iacute;a que completaba al argumento de una forma excelsa. Los directores de fotograf&iacute;a son los encargados de narrar intenciones sin necesidad de un impacto en el &aacute;rea escrita. 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