{"id":6816,"date":"2019-02-09T11:25:25","date_gmt":"2019-02-09T17:25:25","guid":{"rendered":"https:\/\/comunicacion.uaa.mx\/revista\/?p=6816"},"modified":"2019-02-07T16:11:43","modified_gmt":"2019-02-07T22:11:43","slug":"los-rostros-sin-piel-un-comentario-sobre-la-libertad-del-diablo","status":"publish","type":"post","link":"https:\/\/comunicacion.uaa.mx\/revista\/?p=6816","title":{"rendered":"Los Rostros sin Piel: Un Comentario Sobre \u201cLa Libertad del Diablo\u201d"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Con retratos tr\u00e1gicos y escenarios de bruma y calma insana, Everardo Gonz\u00e1lez nos narra con voces de muerte la barbarie del crimen organizado en el pa\u00eds. Victimas, victimarios y c\u00f3mplices unen las letras en historias de llanto y verg\u00fcenza. Escenarios tan grotescos e incomprensibles, que le fallan al concepto simple de ser humano. Un paisaje de contradicciones que forjan la regi\u00f3n salvaje del pa\u00eds.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">El documental enmascara a cada uno de los participantes (ej\u00e9rcito, polic\u00eda, victimas y sicarios) para hacerlos ver como un solo ente. Uno que no sabemos darle rostro porque est\u00e1 siempre en el medio de todo. Solo alcanzamos a ver los ojos, esos que a l\u00e1grimas logran hacer humanos a los que nos hablan.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Pareciera que Gonz\u00e1lez nos impide hacer juicios y fraternizar. Nos obliga estar atentos a esas voces que a calambres en el alma se cuestionan y contestan conforme avanzan sus relatos. Relatos que empezamos a normalizar con un frio terrible en la piel. Sus palabras nos cortan para entender, sus ojos nos miran para auxiliarse. Al final ya las m\u00e1scaras est\u00e1n tan llenas de recuerdos que no ocupamos dibujarles arrugas ni muecas. Ese que est\u00e1 al frente, lleva la misma cara que todos.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Everardo consigue a pausas y silencios enfrentarnos con la realidad. Con close ups calmos y dominantes. Con preguntas que se van alargando, y respuestas tan rotas que no nos queda m\u00e1s que empatar los pedazos y vernos ah\u00ed, y saber, que todos somos culpables.<\/span><\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_6816\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=6816\"  data-item_title=\"Los Rostros sin Piel: Un Comentario Sobre \u201cLa Libertad del Diablo\u201d\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2019\/01\/Art\u00edculo-32-Libertad.jpg\"  data-item_date=\"2019-02-09T11:25:25-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"excerpt":{"rendered":"<p>Con retratos tr&aacute;gicos y escenarios de bruma y calma insana, Everardo Gonz&aacute;lez nos narra con voces de muerte la barbarie del crimen organizado en el pa&iacute;s. Victimas, victimarios y c&oacute;mplices unen las letras en historias de llanto y verg&uuml;enza. Escenarios tan grotescos e incomprensibles, que le fallan al concepto simple de ser humano. Un paisaje&#8230;<\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_6816\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=6816\"  data-item_title=\"Los Rostros sin Piel: Un Comentario Sobre \u201cLa Libertad del Diablo\u201d\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2019\/01\/Art\u00edculo-32-Libertad.jpg\"  data-item_date=\"2019-02-09T11:25:25-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"author":88,"featured_media":6817,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1100],"tags":[1481,1234,1480],"class_list":["post-6816","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinefilia","tag-crimen-organizado","tag-documental","tag-mascaras"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Los Rostros sin Piel: Un Comentario Sobre \u201cLa Libertad del Diablo\u201d - Noticias<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=6816\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Los Rostros sin Piel: Un Comentario Sobre \u201cLa Libertad del Diablo\u201d - Noticias\" \/>\n<meta property=\"og:description\" content=\"Con retratos tr&aacute;gicos y escenarios de bruma y calma insana, Everardo Gonz&aacute;lez nos narra con voces de muerte la barbarie del crimen organizado en el pa&iacute;s. Victimas, victimarios y c&oacute;mplices unen las letras en historias de llanto y verg&uuml;enza. Escenarios tan grotescos e incomprensibles, que le fallan al concepto simple de ser humano. 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