{"id":6838,"date":"2019-02-12T12:45:26","date_gmt":"2019-02-12T18:45:26","guid":{"rendered":"https:\/\/comunicacion.uaa.mx\/revista\/?p=6838"},"modified":"2019-02-07T16:11:09","modified_gmt":"2019-02-07T22:11:09","slug":"un-comentario-sobre-profundo-carmesi-de-arturo-ripstein","status":"publish","type":"post","link":"https:\/\/comunicacion.uaa.mx\/revista\/?p=6838","title":{"rendered":"Un comentario sobre Profundo Carmes\u00ed de Arturo Ripstein"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><em>Profundo Carmes\u00ed\u00a0<\/em>est\u00e1 ambientada en los a\u00f1os 40\u2019s, y narra con desencanto la destructiva relaci\u00f3n de una pareja de estafadores: Nicol\u00e1s, un acomplejado que esconde su calvicie, y Coral, una mujer sin dignidad, desvergonzada y con una falta de amor propio, que la distancia incluso de sus propios hijos.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Nicol\u00e1s maneja un negocio de bajeza tremenda, donde el gancho es no m\u00e1s que la falta de cari\u00f1o y compa\u00f1\u00eda. Haci\u00e9ndose pasar por un caballero que viene a salvaguardar la intimidad de las tr\u00e1gicas mujeres que caen en sus enga\u00f1os, para sin m\u00e1s, dejarlas, junto con parte importante de su dinero.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Todo para terminar top\u00e1ndose con una mujer a la que la obsesi\u00f3n le hac\u00eda sombra: Coral; un ente tan da\u00f1ado que al primer toque masculino, se entregar\u00eda de golpe en cualquier clase de cr\u00edmenes, con tal de conservar ese bizarro sentimiento.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Ripstein, junto con la gran interpretaci\u00f3n de Regina Orozco (Coral) y Daniel Gim\u00e9nez Cacho (Nicol\u00e1s), logran dar ese tono absurdo y grotesco, a la pasi\u00f3n. Perpetrando cuadro por cuadro un sinf\u00edn de atrocidades, que si les quitas el ojo a lo rid\u00edculo, te producen un temor terrible. El trabajo de guion, y el reparto, logran que cada detalle de su relaci\u00f3n te resulte repugnante y c\u00f3mica. Un dualismo bizarro, pero com\u00fan cuando no somos m\u00e1s que bestias guiadas ante el primer instinto de nuestra naturaleza.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><em>Profundo Carmes\u00ed<\/em>es un film de descarne a la bajeza de la conducta humana y su obsesi\u00f3n. Magistralmente retratado por el lente Ripstein y la pluma de Paz Alicia Garciadiego.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Te hace sentir la piel sucia, con un panorama de fe\u00edsmo hispano, plagado de tragedia, muerte, crudeza y locura. Con una agudeza tan fina que te van calando hondo en las cuencas de los ojos. Esos que ven, a modo de provocaci\u00f3n, las almas negras de los pobres diablos.<\/span><\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_6838\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=6838\"  data-item_title=\"Un comentario sobre Profundo Carmes\u00ed de Arturo Ripstein\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2019\/01\/Carmes\u00ed-WhatsApp-Image-2019-01-27-at-22.17.12.jpeg\"  data-item_date=\"2019-02-12T12:45:26-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"excerpt":{"rendered":"<p>Profundo Carmes&iacute;&nbsp;est&aacute; ambientada en los a&ntilde;os 40&rsquo;s, y narra con desencanto la destructiva relaci&oacute;n de una pareja de estafadores: Nicol&aacute;s, un acomplejado que esconde su calvicie, y Coral, una mujer sin dignidad, desvergonzada y con una falta de amor propio, que la distancia incluso de sus propios hijos. Nicol&aacute;s maneja un negocio de bajeza tremenda,&#8230;<\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_6838\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=6838\"  data-item_title=\"Un comentario sobre Profundo Carmes\u00ed de Arturo Ripstein\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2019\/01\/Carmes\u00ed-WhatsApp-Image-2019-01-27-at-22.17.12.jpeg\"  data-item_date=\"2019-02-12T12:45:26-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"author":88,"featured_media":6839,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1100],"tags":[1482],"class_list":["post-6838","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinefilia","tag-cine-mexicano"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Un comentario sobre Profundo Carmes\u00ed de Arturo Ripstein - Noticias<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=6838\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Un comentario sobre Profundo Carmes\u00ed de Arturo Ripstein - Noticias\" \/>\n<meta property=\"og:description\" content=\"Profundo Carmes&iacute;&nbsp;est&aacute; ambientada en los a&ntilde;os 40&rsquo;s, y narra con desencanto la destructiva relaci&oacute;n de una pareja de estafadores: Nicol&aacute;s, un acomplejado que esconde su calvicie, y Coral, una mujer sin dignidad, desvergonzada y con una falta de amor propio, que la distancia incluso de sus propios hijos. 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