{"id":8637,"date":"2020-12-24T10:00:48","date_gmt":"2020-12-24T16:00:48","guid":{"rendered":"https:\/\/comunicacion.uaa.mx\/revista\/?p=8637"},"modified":"2020-12-22T11:10:17","modified_gmt":"2020-12-22T17:10:17","slug":"cine-y-circo-zafarrancho-en-el-circo","status":"publish","type":"post","link":"https:\/\/comunicacion.uaa.mx\/revista\/?p=8637","title":{"rendered":"Cine y Circo: Zafarrancho en el Circo"},"content":{"rendered":"<p align=\"justify\">La pel\u00edcula de hoy nos sit\u00faa en un doble p\u00fablico, como televidentes y como asistentes a un espect\u00e1culo de circo. Al principio observamos a un p\u00fablico heterog\u00e9neo toma asiento en el circo, impaciente por que empiece el espect\u00e1culo. &#8220;Monsieur Loyal&#8221; da la bienvenida a todos. As\u00ed observamos c\u00f3mo van pasando los n\u00fameros. Acr\u00f3batas, payasos y cantantes salen para entretener al p\u00fablico. Pero el espect\u00e1culo y empieza el aut\u00e9ntico zafarrancho en el circo.<\/p>\n<p align=\"justify\">&#8220;Zafarrancho en el circo&#8221; (1974) es una pel\u00edcula del polifac\u00e9tico director Jacques Tati, de hecho, en esta pel\u00edcula, Tati, dirige, escribe y protagoniza la escena, rindiendo un homenaje al mundo del circo que \u00e9l conoc\u00eda tan bien, un tributo a su mundo como elemento de entretenimiento para las familias. En realidad una pel\u00edcula sin trama alguna, sin argumento, simplemente la transmisi\u00f3n de un espect\u00e1culo circense con sus trucos de magia, sus domas de animales, sus payasos, sus acrobacias, sus malabaristas, m\u00fasica e interacci\u00f3n con los espectadores (parte del elenco actoral escogidos por el propio Tati).<\/p>\n<p align=\"justify\">A pesar de ser dif\u00edcil encontrarle una narrativa a la pel\u00edcula, puesto que como he se\u00f1alado antes, parece simplemente un show de circo, donde se van sucediendo n\u00fameros mas o menos comunes dentro de lo que era el circo de la \u00e9poca, s\u00ed que me gustar\u00eda destacar el inicio y el final de la pel\u00edcula que son los que hacen que el filme cobre sentido. De esta manera, al inicio podemos observar una imagen llena de poes\u00eda, la carpa del circo levant\u00e1ndose a medida que llega el p\u00fablico, siendo recibida por el gur\u00fa Tati en su rol de \u201cma\u00eetre\u201d de este \u201crestaurant\u201d con diferentes platos. De la misma manera, es estimable la oda a la ni\u00f1ez que hace Tati a los ni\u00f1os en el ep\u00edlogo de la pel\u00edcula, donde vemos dos chicos rubios jugando con objetos del escenario, como queriendo quedarse tras la funci\u00f3n. Un ep\u00edlogo que desde esa intimidad grita <em>The show must go on.<\/em><\/p>\n<p align=\"justify\">En el apartado t\u00e9cnico llama la atenci\u00f3n el uso del color, lo bien que ruedan los planos generales, o c\u00f3mo sabe incrustarse el objetivo entre el p\u00fablico para hacernos sentir parte de los espectadores <em>in situ<\/em>. La m\u00fasica es obra de Charles Dumont, quien estuvo en \u201cTrafic\u201d de Tati, lejos de las maravillosas (y pegadizas) composiciones de las tatianas \u201cMonsieur Hulot\u201d o \u201cMi t\u00edo\u201d.<\/p>\n<p align=\"justify\">En conjunto me queda una visi\u00f3n m\u00e1s recomendable por nostalgia de lo que fue su creador, &#8220;<em>Parade&#8221;<\/em> es el testamento f\u00edlmico de un enorme artista que se brind\u00f3 generosamente al p\u00fablico y, como en la escena final, al ni\u00f1o que cada uno de nosotros lleva adentro.<\/p>\n<p align=\"justify\">FRAGMENTO: <a href=\"https:\/\/www.youtube.com\/watch?v=RZM8yWKJ8uA\">https:\/\/www.youtube.com\/watch?v=RZM8yWKJ8uA<\/a><!--more--><\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_8637\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=8637\"  data-item_title=\"Cine y Circo: Zafarrancho en el Circo\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2020\/11\/zafacirco.jpg\"  data-item_date=\"2020-12-24T10:00:48-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"excerpt":{"rendered":"<p>La pel&iacute;cula de hoy nos sit&uacute;a en un doble p&uacute;blico, como televidentes y como asistentes a un espect&aacute;culo de circo. Al principio observamos a un p&uacute;blico heterog&eacute;neo toma asiento en el circo, impaciente por que empiece el espect&aacute;culo. &ldquo;Monsieur Loyal&rdquo; da la bienvenida a todos. As&iacute; observamos c&oacute;mo van pasando los n&uacute;meros. Acr&oacute;batas, payasos y&#8230;<\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_8637\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=8637\"  data-item_title=\"Cine y Circo: Zafarrancho en el Circo\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2020\/11\/zafacirco.jpg\"  data-item_date=\"2020-12-24T10:00:48-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"author":107,"featured_media":8638,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1100],"tags":[98,2334,2031,1514,2363,1461],"class_list":["post-8637","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinefilia","tag-cine","tag-circo","tag-ninez","tag-nostalgia","tag-tati","tag-tributo"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cine y Circo: Zafarrancho en el Circo - Noticias<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=8637\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cine y Circo: Zafarrancho en el Circo - Noticias\" \/>\n<meta property=\"og:description\" content=\"La pel&iacute;cula de hoy nos sit&uacute;a en un doble p&uacute;blico, como televidentes y como asistentes a un espect&aacute;culo de circo. Al principio observamos a un p&uacute;blico heterog&eacute;neo toma asiento en el circo, impaciente por que empiece el espect&aacute;culo. &ldquo;Monsieur Loyal&rdquo; da la bienvenida a todos. As&iacute; observamos c&oacute;mo van pasando los n&uacute;meros. 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