{"id":8656,"date":"2020-12-31T09:03:44","date_gmt":"2020-12-31T15:03:44","guid":{"rendered":"https:\/\/comunicacion.uaa.mx\/revista\/?p=8656"},"modified":"2020-12-22T11:28:45","modified_gmt":"2020-12-22T17:28:45","slug":"cine-quinqui-la-patria-del-rata","status":"publish","type":"post","link":"https:\/\/comunicacion.uaa.mx\/revista\/?p=8656","title":{"rendered":"Cine Quinqui. La Patria del Rata"},"content":{"rendered":"<p style=\"text-align: justify;\" align=\"justify\"><span lang=\"es-ES\">Desde el inicio esta pel\u00edcula nos sumerge en un ritmo trepidante, adentr\u00e1ndonos como espectadores en la adrenalina que genera la delincuencia. &#8220;La Patria del Rata&#8221;, de Franciso Lara Polop (1980) comienza con el atraco a un banco. Asalto secuenciado a trav\u00e9s de fotos fijas, a forma de narraci\u00f3n de la escena. Despu\u00e9s de la \u00faltima foto, se vuelve a los 24 fotogramas por segundo e inicia la acci\u00f3n de verdad en Madrid, capital de Espa\u00f1a. As\u00ed conducidos por un delincuente nos acercamos al mapa urbano del Madrid de la \u00e9poca, &#8220;El Rata&#8221; huye en un SEAT por Capit\u00e1n Haya direcci\u00f3n Chamart\u00edn. En la huida apresan a uno de sus compinches y al otro le abaten de un disparo. &#8220;El Rata&#8221; se mete por los barrizales de La Ventilla y a consecuencia del cada vez m\u00e1s estrecho cerco sobre \u00e9l no le queda otra que colarse en una casa para sitiarse all\u00ed con un reh\u00e9n. El reh\u00e9n es una ni\u00f1a. &#8220;El Rata&#8221; tapia puertas y ventanas, informa a la polic\u00eda sobre que tiene a la chiquilla y se sienta a recuperar el resuello mientras espera que el dispositivo policial mueva ficha. Aqu\u00ed como espectadora, es cuando yo tambi\u00e9n respiro y reflexiono sobre todo lo que acaba de pasar en estos diez minutos, quiz\u00e1 quince, fren\u00e9ticos.<\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span lang=\"es-ES\">Ya que llevo unas cuantas pel\u00edculas vistas de este g\u00e9nero, me ha interesado detenerme a investigar un poco sobre el contexto de Espa\u00f1a que dio lugar a esta crisis social que atravesaba a la juventud espa\u00f1ola orillada a la delincuencia y a la drogadicci\u00f3n. He descubierto que, en Espa\u00f1a en el a\u00f1o 1977, en los primeros a\u00f1os despu\u00e9s de la horrible dictadura de Franco, se aprob\u00f3 una ley de amnist\u00eda, principalmente a presos pol\u00edticos. Debido a esta ley, salieron muchos presos, entre los que se encuentra el protagonista de nuestra pel\u00edcula. <\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span lang=\"es-ES\">Y es que una vez que est\u00e1 en la casa, el director hace una interesante retrospectiva de por qu\u00e9 &#8220;El Rata&#8221;, ha acabado en esa casa, realizando un paisaje de, como el t\u00edtulo de la pel\u00edcula indica, \u201cla patria del Rata\u201d. &#8220;El Rata&#8221; daba alg\u00fan que otro tir\u00f3n, peque\u00f1os hurtos. De ser el protagonista de Pickpocket pasar\u00e1 a cuasi integrante del Comando Txikia por ponerle <em>jetpacks<\/em> a dos polic\u00edas. Se come una condena de las de perpetuidad no revisable, hasta que sale por la ley de amnist\u00eda. Ah\u00ed, ya fuera, cuando va dando tumbos de una nueva formaci\u00f3n pol\u00edtica a otra para que le devuelvan el favor, se ve que lo suyo no fue un asesinato ideol\u00f3gico, sino consecuencia de pasar hambre y tener que hacer encargos a terceros para poder cenar caliente. No es P\u00edo Moa y le dan la espalda en todos lados. &#8220;El Rata&#8221; no tiene quien le acuda a dar consejos desde la l\u00ednea temporal venidera porque carece de ella, no existe el futuro para \u00e9l.<\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span lang=\"es-ES\">En s\u00edntesis, el delincuente es presentado como la v\u00edctima de una sociedad corrompida, manipulada por pol\u00edticos demagogos que se dicen dem\u00f3cratas e incluso obreristas, pero que han abandonado al pueblo en la miseria y el malestar social. Se apela a la figura del quinqui como tristemente sintom\u00e1tica de la Espa\u00f1a insegura y en crisis de \u201cla democracia.\u201d Un delincuente com\u00fan, ambiguo ex colaborador de la organizaci\u00f3n antifascista FRAP, pide trabajo a partidos de todo el espectro pol\u00edtico, y termina abocado al camino sin salida de la delincuencia.<\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span lang=\"es-ES\">As\u00ed dentro del paisaje del cine quinqui, en esta ocasi\u00f3n se presenta la mezcla de pol\u00edtica, delincuencia, drogas y sobre todo la transici\u00f3n que no fue para todos. Y para tentaros a\u00fan mas os dejo el enlace de la pel\u00edcula completa.<\/span><\/p>\n<p align=\"justify\">Mira aqu\u00ed: <a href=\"https:\/\/www.youtube.com\/watch?v=2RylOctTrqU\">https:\/\/www.youtube.com\/watch?v=2RylOctTrqU<\/a><\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_8656\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=8656\"  data-item_title=\"Cine Quinqui. La Patria del Rata\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2020\/11\/Quinquirata.jpg\"  data-item_date=\"2020-12-31T09:03:44-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"excerpt":{"rendered":"<p>Desde el inicio esta pel&iacute;cula nos sumerge en un ritmo trepidante, adentr&aacute;ndonos como espectadores en la adrenalina que genera la delincuencia. &ldquo;La Patria del Rata&rdquo;, de Franciso Lara Polop (1980) comienza con el atraco a un banco. Asalto secuenciado a trav&eacute;s de fotos fijas, a forma de narraci&oacute;n de la escena. Despu&eacute;s de la &uacute;ltima&#8230;<\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_8656\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=8656\"  data-item_title=\"Cine Quinqui. La Patria del Rata\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2020\/11\/Quinquirata.jpg\"  data-item_date=\"2020-12-31T09:03:44-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"author":107,"featured_media":8657,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1100],"tags":[98,152,2379,423,2380,2374],"class_list":["post-8656","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinefilia","tag-cine","tag-democracia","tag-dictadura","tag-espana","tag-franco","tag-quinqui"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cine Quinqui. 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