{"id":8659,"date":"2020-12-30T09:02:33","date_gmt":"2020-12-30T15:02:33","guid":{"rendered":"https:\/\/comunicacion.uaa.mx\/revista\/?p=8659"},"modified":"2020-12-22T11:23:22","modified_gmt":"2020-12-22T17:23:22","slug":"cine-quinqui-el-pico","status":"publish","type":"post","link":"https:\/\/comunicacion.uaa.mx\/revista\/?p=8659","title":{"rendered":"Cine Quinqui. El Pico"},"content":{"rendered":"<p align=\"justify\"><span lang=\"es-MX\">Como dec\u00eda con la rese\u00f1a anterior de cine quinqui, de lo que m\u00e1s me llama la atenci\u00f3n de este g\u00e9nero es el lenguaje, la jerga que utilizan los actores. Directamente desde el t\u00edtulo, \u201cEl Pico\u201d a un mexicano le costar\u00eda entender de qu\u00e9 trata la pel\u00edcula, mientras que un espa\u00f1ol en seguida sabr\u00eda que trata de drogas, muchas drogas. Y es que \u201cmeterse un pico\u201d es lo mismo que inyectarse hero\u00edna en el brazo. <\/span><\/p>\n<p align=\"justify\"><span lang=\"es-MX\">Puede parecer que los temas se repiten en todo el cine quinqui, pero cada pel\u00edcula tiene su particularidad, haciendo una cartograf\u00eda de la situaci\u00f3n del Estado Espa\u00f1ol, si bien &#8220;Perros Callejeros&#8221; estaba ubicada en Barcelona, Catalu\u00f1a, ahora nos vamos a Bilbao en el Pa\u00eds Vasco, que, durante toda la historia del Estado Espa\u00f1ol, pero especialmente en esta \u00e9poca, tiene unas condiciones pol\u00edticas muy especiales.<\/span><\/p>\n<p align=\"justify\"><span lang=\"es-MX\">De esta manera, la pel\u00edcula de Eloy de la Iglesia, &#8220;El Pico&#8221; (1983 esta cinta nos da toda una lecci\u00f3n de amistad, terrorismo en el Pa\u00eds Vasco, drogas y sus consecuencias, \u00bftodo por la droga?, el hijo de un guardia civil y el de un arberchale, roban hasta tener que hacer de camellos (traficantes de drogas) narrando lo dif\u00edcil que es desengancharse y lo f\u00e1cil que es volver a caer en la droga.<\/span><\/p>\n<p align=\"justify\"><span lang=\"es-MX\">Historia muy \u00edntima con el terrorismo de fondo en el Pa\u00eds Vasco de los 80 y como el polvo blanco puede destrozar no s\u00f3lo una vida si no todas las que hay cercanas a la misma. Un comandante de la guardia civil capaz de todo por su hijo.<\/span><\/p>\n<p align=\"justify\"><span lang=\"es-MX\">Inevitablemente la droga tiene un papel protagonista en la pel\u00edcula y fuera de ella. Dentro de ella, por la tem\u00e1tica y fuera de ella, hay que se\u00f1alar que casi todos sus personajes principales y buena parte del equipo t\u00e9cnico murieron por la droga. Adem\u00e1s, hay varios mitos sobre la pel\u00edcula, que me resultan muy interesantes, como que las escenas en las que se consum\u00eda hero\u00edna, la droga era real. Adem\u00e1s de las leyendas sobre los rodajes de que acababan en fiestas salvajes y org\u00edas.<\/span><\/p>\n<p align=\"justify\"><span lang=\"es-MX\">Es inevitable dedicar un p\u00e1rrafo a su estrella y actor fetiche, Jos\u00e9 Lu\u00eds Manzano, rescatado de la delincuencia siendo menor para protagonizar &#8220;Navajeros&#8221;, en 1980. Eloy lo acogi\u00f3 en su casa en una especie de relaci\u00f3n parternal y amorosa. Despu\u00e9s de &#8220;El Pico 2&#8221; rompieron lazos, ambos metidos de lleno en la droga. Retomaron contacto en el 86 con &#8220;La Estanquera de Vallecas&#8221;, tras una vor\u00e1gine de detenciones a un Manzano devastado por la hero\u00edna.<\/span><\/p>\n<p align=\"justify\"><span lang=\"es-MX\">El coprotagonista de &#8220;El Pico&#8221;, Javier Garc\u00eda (que interpreta a Urko) simboliza la tragedia m\u00e1s cruda. Tras un casting entre cientos de j\u00f3venes de la calle (aunque \u00e9l no era un chico marginal), con un gran carisma y belleza, parec\u00eda destinado al triunfo. Pero finaliz\u00f3 el rodaje muy metido en la droga, contrayendo el SIDA y sufriendo un deterioro f\u00edsico que trunc\u00f3 su carrera.<\/span><\/p>\n<p align=\"justify\"><span lang=\"es-MX\">En definitiva, es una pel\u00edcula descarada y valiente al tratar temas como las drogas, homosexualidad o pol\u00edtica (aun hoy sorprende su visionado), casi un documento hist\u00f3rico, que releja en pantalla y el proceso la cruda realidad de las drogas en la Espa\u00f1a de los ochenta.<\/span><\/p>\n<p align=\"justify\">TR\u00c1ILER: <a href=\"https:\/\/www.youtube.com\/watch?v=MmJfkDN1D-Q\">https:\/\/www.youtube.com\/watch?v=MmJfkDN1D-Q<\/a><\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_8659\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=8659\"  data-item_title=\"Cine Quinqui. El Pico\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2020\/11\/Elpico.jpg\"  data-item_date=\"2020-12-30T09:02:33-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"excerpt":{"rendered":"<p>Como dec&iacute;a con la rese&ntilde;a anterior de cine quinqui, de lo que m&aacute;s me llama la atenci&oacute;n de este g&eacute;nero es el lenguaje, la jerga que utilizan los actores. Directamente desde el t&iacute;tulo, &ldquo;El Pico&rdquo; a un mexicano le costar&iacute;a entender de qu&eacute; trata la pel&iacute;cula, mientras que un espa&ntilde;ol en seguida sabr&iacute;a que trata&#8230;<\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_8659\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=8659\"  data-item_title=\"Cine Quinqui. El Pico\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2020\/11\/Elpico.jpg\"  data-item_date=\"2020-12-30T09:02:33-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"author":107,"featured_media":8660,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1100],"tags":[2381,98,423,2382,2374],"class_list":["post-8659","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinefilia","tag-bilbao","tag-cine","tag-espana","tag-pais-vasco","tag-quinqui"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cine Quinqui. El Pico - Noticias<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=8659\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cine Quinqui. El Pico - Noticias\" \/>\n<meta property=\"og:description\" content=\"Como dec&iacute;a con la rese&ntilde;a anterior de cine quinqui, de lo que m&aacute;s me llama la atenci&oacute;n de este g&eacute;nero es el lenguaje, la jerga que utilizan los actores. Directamente desde el t&iacute;tulo, &ldquo;El Pico&rdquo; a un mexicano le costar&iacute;a entender de qu&eacute; trata la pel&iacute;cula, mientras que un espa&ntilde;ol en seguida sabr&iacute;a que trata...\" \/>\n<meta property=\"og:url\" content=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=8659\" \/>\n<meta property=\"og:site_name\" content=\"Noticias\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/locusuaa\" \/>\n<meta property=\"article:published_time\" content=\"2020-12-30T15:02:33+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2020\/11\/Elpico.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"441\" \/>\n\t<meta property=\"og:image:height\" content=\"650\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Selene Porras\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Escrito por\" \/>\n\t<meta name=\"twitter:data1\" content=\"Selene Porras\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tiempo de lectura\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutos\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/comunicacion.uaa.mx\\\/revista\\\/?p=8659#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/comunicacion.uaa.mx\\\/revista\\\/?p=8659\"},\"author\":{\"name\":\"Selene Porras\",\"@id\":\"https:\\\/\\\/comunicacion.uaa.mx\\\/revista\\\/#\\\/schema\\\/person\\\/04418109b8e5f53bc07cf53c7c67afc2\"},\"headline\":\"Cine Quinqui. 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