{"id":8873,"date":"2021-01-26T15:04:27","date_gmt":"2021-01-26T21:04:27","guid":{"rendered":"https:\/\/comunicacion.uaa.mx\/revista\/?p=8873"},"modified":"2021-01-26T15:05:22","modified_gmt":"2021-01-26T21:05:22","slug":"a-bout-de-souffle-una-peli-memorable","status":"publish","type":"post","link":"https:\/\/comunicacion.uaa.mx\/revista\/?p=8873","title":{"rendered":"\u201c\u00c0 Bout de Souffle\u201d: una Peli Memorable"},"content":{"rendered":"

\u201cAnd do you know what my first words were?
\nNew York Herald Tribune! New York Herald Tribune!\u201d
\n<\/i><\/span><\/span>\u2212<\/i><\/span><\/span>The Dreamers, Bernardo Bertolucci<\/i><\/span><\/span><\/span><\/p>\n

Para m\u00ed, una de las escenas m\u00e1s geniales de la historia del cine proviene de la pel\u00edcula <\/span><\/span>\u00c0<\/i><\/span><\/span> Bout de Souffle <\/i><\/span><\/span>del director franc\u00e9s Jean-Luc Godard; en donde el personaje de Patricia, una joven estadounidense aspirante a periodista que vende el <\/span><\/span>New York Herald Tribune<\/i><\/span><\/span> en los bulevares de Par\u00eds, es sorprendida con una propuesta hecha por Michael Poiccard, un inter\u00e9s amoroso que huye de la polic\u00eda y que finalmente busca m\u00e1s que un refugio en ella.<\/span><\/span><\/span><\/p>\n

\u201c\u00bfVienes conmigo a Roma?\u201d<\/b><\/i><\/span><\/span><\/p>\n

\"\"<\/a><\/span><\/p>\n

\u00c0<\/i><\/span><\/span> Bout de Souffle <\/i><\/span><\/span>o tambi\u00e9n conocida como Breathless <\/span><\/span>(sin aliento), <\/i><\/span><\/span>es una peculiar historia de amor envuelta en un filme del g\u00e9nero negro y ambientada en Par\u00eds de 1960. Protagonizada por Jean-Paul Belmondo <\/span><\/span>(Pierrot le Fou)<\/i><\/span><\/span> y Jean Seberg <\/span><\/span>(Bonjour Tristesse), <\/i><\/span><\/span>los personajes viven una aventura rom\u00e1ntica a trav\u00e9s de la contrapropuesta narrativa del cine cl\u00e1sico tradicional (cortes sin continuidad, repeticiones, miradas a la c\u00e1mara y asincron\u00edas musicales).<\/span><\/span><\/span><\/p>\n

La trama inicia con Michael, un delincuente peligroso que vuelve a Par\u00eds con el \u00fanico objetivo de ver a su amante: Patricia. Sin embargo, el destino le coloca una pistola en la guantera de un coche robado y un polic\u00eda, con lo que el insolente amante se convierte en asesino, y peor a\u00fan, en pr\u00f3fugo de la justicia. <\/span><\/span><\/p>\n

Perseguido por la polic\u00eda parisina, Michael encuentra refugio en la peque\u00f1a habitaci\u00f3n del hotel de Patricia, a la que intentar\u00e1 convencer para que juntos se fuguen a Roma y obtener un poco de dinero para financiar la huida. Si bien la joven est\u00e1 enamorada del fugitivo, no le es raz\u00f3n suficiente como para optar por un futuro sin rumbo ni destino. <\/span><\/span><\/p>\n

\u201cNo quiero estar enamorada de ti (…) El hecho de ser cruel contigo demuestra que no lo estoy\u201d <\/b><\/i><\/span><\/span>\u0336<\/b><\/i><\/span><\/span> Patricia.<\/b><\/i><\/span><\/span><\/span><\/p>\n

\"\"<\/a><\/span><\/p>\n

\u00bfPor qu\u00e9 te recomiendo <\/b><\/span><\/span>\u00c0<\/b><\/i><\/span><\/span> Bout de Souffle<\/b><\/i><\/span><\/span>?<\/b><\/span><\/span><\/span><\/p>\n

Porque a ra\u00edz de su existencia se cre\u00f3 un parteaguas que rompi\u00f3 en gran medida con los est\u00e1ndares marcados por el cine cl\u00e1sico, como, por ejemplo, la continuidad del sonido (pero no de los planos), los cortes marcados entre planos e incluso la dramatizaci\u00f3n de los personajes; la manera con la que los protagonistas llegan a dirigirse al espectador, los \u201cerrores\u201d manifiestos a prop\u00f3sito durante el filme y los di\u00e1logos que humanizan a los personajes. <\/span><\/span><\/p>\n

Como dato interesante, <\/span><\/span>\u00c0<\/i><\/span><\/span> Bout de Souffle <\/i><\/span><\/span>es uno de los tres productos cinematogr\u00e1ficos que hicieron historia a principios de los 60\u2019s. Partiendo de un guion de Truffaut y con el soporte de otro grande de la \u00e9poca de nombre Claude Chabrol, Jean se bas\u00f3 en el neorrealismo italiano para la ejecuci\u00f3n t\u00e9cnica de su obra. Con la c\u00e1mara en mano y los saltos de plano, los autores de Breathless crearon algo diferente y totalmente en contra del \u201ccin\u00e9ma qualit\u00e9\u201d (cinema de calidad) del momento.<\/span><\/span><\/span><\/p>\n

Por otro lado, Godard utiliza la escasez de recursos visuales como un elemento m\u00e1s en su narrativa, desarrollada a partir de una historia tan inquieta e \u00edntima como su dem\u00e1s filmograf\u00eda. Ahora, lo importante de esta pel\u00edcula es su legado y la fuente de inspiraci\u00f3n que ha dejado a otros creadores del cine moderno como Martin Scorsese <\/span><\/span>(Taxi Driver),<\/i><\/span><\/span> Quentin Tarantino <\/span><\/span>(Pulp Fiction)<\/i><\/span><\/span>, Francis Ford Coppola <\/span><\/span>(El Padrino), <\/i><\/span><\/span>entre otros.<\/span><\/span><\/span><\/p>\n

\u00c0<\/i><\/span><\/span> Bout de Souffle <\/i><\/span><\/span>disponible en las plataformas <\/span><\/span>Filminlatino, Amazon<\/i><\/span><\/span> o <\/span><\/span>Zoowoman<\/i><\/span><\/span>.<\/span><\/span><\/span><\/p>\n

\n

<\/span><\/div>","protected":false},"excerpt":{"rendered":"

“And do you know what my first words were? New York Herald Tribune! New York Herald Tribune!” −The Dreamers, Bernardo Bertolucci Para mí, una de las escenas más geniales de la historia del cine proviene de la película À Bout de Souffle del director francés Jean-Luc Godard; en donde el personaje de Patricia, una joven…<\/p>\n

<\/span><\/div>","protected":false},"author":60,"featured_media":8877,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1100],"tags":[98,338,487,2547,2548,2546,2343],"class_list":["post-8873","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinefilia","tag-cine","tag-francia","tag-italia","tag-jean-paul-belmondo","tag-jean-seberg","tag-jean-luc-godard","tag-paris"],"yoast_head":"\n\u201c\u00c0 Bout de Souffle\u201d: una Peli Memorable - Noticias<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=8873\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201c\u00c0 Bout de Souffle\u201d: una Peli Memorable - Noticias\" \/>\n<meta property=\"og:description\" content=\"“And do you know what my first words were? 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