{"id":8880,"date":"2021-01-26T20:30:26","date_gmt":"2021-01-27T02:30:26","guid":{"rendered":"https:\/\/comunicacion.uaa.mx\/revista\/?p=8880"},"modified":"2021-01-26T15:31:46","modified_gmt":"2021-01-26T21:31:46","slug":"resenas-sonoras-billie-marten-y-su-melancolia-pastel","status":"publish","type":"post","link":"https:\/\/comunicacion.uaa.mx\/revista\/?p=8880","title":{"rendered":"Rese\u00f1as Sonoras: Billie Marten y su Melancol\u00eda Pastel"},"content":{"rendered":"<p style=\"text-align: justify;\" align=\"justify\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"color: #000000;\"><span style=\"font-size: medium;\">Despu\u00e9s de refugiarme entre melod\u00edas y palabras cantadas descubr\u00ed un sonido particular que me hace recordar a esa \u00e9poca incierta del a\u00f1o, en donde el oto\u00f1o a punto de culminar se prepara para te\u00f1ir sus paisajes de tonalidades azules y blancas. Entre salpicaduras de amarillo y naranja, \u00e1rboles meci\u00e9ndose al comp\u00e1s de la m\u00fasica del viento y tardes misteriosas de noviembre, se asoma una mujer de 21 a\u00f1os con un diario entre manos repleto de versos y frases abstractas: <\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\"><b>Billie Marten.<\/b><\/span><\/span><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"color: #000000; font-family: Verdana, Geneva;\"><span style=\"font-size: medium;\">Con una voz a manera de susurro que toc\u00f3 cada pedacito de mi alma y una base sonora fundada en el jazz y el indie-folk, Isabella Sophie Tweddle, alias Billie Marten, refleja la dolorosa belleza y la melancol\u00eda nerviosa que es la vida. Como si pintara un lienzo con tonos suaves y pastel, muestra la fr\u00e1gil condici\u00f3n humana a partir de sensaciones descomunales como la tristeza, el miedo, la soledad y otros aspectos negativos-positivos que conforman a la existencia de un ser solitario. <\/span><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"color: #000000;\"><span style=\"font-size: medium;\">Con una persistente translucidez divis\u00e9 en mi cabeza situaciones cat\u00e1rticas que me hicieron romper, pero que en su momento me hicieron sonre\u00edr. Como si musicalizara mi sentir durante la plena paleta de mi juventud, la gracia de su voz me acun\u00f3 durante mis periodos de angustia mental. <\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\"><i><b>\u201cMy smile is on the backseat, the back wall. Watch me as I go and separate the ones that I am made to love and hate\u201d.<\/b><\/i><\/span><\/span><i> <\/i><span style=\"color: #000000;\"><span style=\"font-size: medium;\">Canta Billie en<\/span><\/span><i> <\/i><span style=\"color: #000000;\"><span style=\"font-size: medium;\">Mice <\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\"><i>(Feeding Seahorses by Hand, 2019).<\/i><\/span><\/span><\/span><\/p>\n<p style=\"text-align: center;\" align=\"justify\"><span style=\"font-family: Verdana, Geneva;\"><a href=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/01\/Billimarten-2.jpg\"><img fetchpriority=\"high\" decoding=\"async\" width=\"200\" height=\"300\" class=\"alignnone size-medium wp-image-8881\" src=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/01\/Billimarten-2-200x300.jpg\" alt=\"\" srcset=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/01\/Billimarten-2-200x300.jpg 200w, https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/01\/Billimarten-2.jpg 564w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"color: #000000; font-family: Verdana, Geneva;\"><span style=\"font-size: medium;\">Originaria de una comunidad rural llamada Yorkshire Dales, ubicada en el norte de Inglaterra (y caracterizada por sus campi\u00f1as verdes y naturales que rememoran a una novela de Emily Bront\u00eb), Billie comenz\u00f3 a escribir sus primeras canciones a la edad de nueve a\u00f1os, cautivada por una ilimitada imaginaci\u00f3n que los espacios y paisajes inexplorados le impulsaban. Sin embargo, el deseo de correr y el \u00edmpetu de ir m\u00e1s all\u00e1 de lo que sus ojos conoc\u00edan, la llevaron a consolidar sus letras con tan s\u00f3lo 17 a\u00f1os. <\/span><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"color: #000000;\"><span style=\"font-size: medium;\">Cant\u00e1ndole a la incertidumbre, al desaz\u00f3n por el futuro y a la falta de confianza, Marten utiliza una articulaci\u00f3n l\u00edrica y musical que parece tener un alma mucho m\u00e1s antigua. Sin embargo, aunque su m\u00fasica a su vez es delicada, \u00edntima, confesional e inquisitiva, la experimentaci\u00f3n sonora a trav\u00e9s de clics de bater\u00eda y sintetizadores que llegan justo en el cl\u00edmax, me hacen creer que Billie plasma una fuerte necesidad de audacia. Como si explotara arm\u00f3nicamente. <\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\"><i><b>\u201cShe\u2019s underwater again, somebody\u2019s daughter and friend (\u2026) Caught as the bird once free, I don\u2019t mind, hope is a distance unreached\u201d <\/b><\/i><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\">(Bird, 2016). <\/span><\/span><\/span><\/p>\n<p style=\"text-align: center;\" align=\"justify\"><span style=\"font-family: Verdana, Geneva;\"><a href=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/01\/Billiemarten-3.jpg\"><img decoding=\"async\" width=\"241\" height=\"300\" class=\"alignnone size-medium wp-image-8882\" src=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/01\/Billiemarten-3-241x300.jpg\" alt=\"\" srcset=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/01\/Billiemarten-3-241x300.jpg 241w, https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/01\/Billiemarten-3.jpg 564w\" sizes=\"(max-width: 241px) 100vw, 241px\" \/><\/a><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"color: #000000;\"><span style=\"font-size: medium;\">Aunque inspirada musicalmente por Damien Rice, John Martyn, Joan Armatrading, Joni Mitchell, Loudon Wainwright, entre otros; la musicalidad y el estilo de la compositora son tan \u00fanicos que me es imposible compararla con otros artistas. Entre otras cosas, el debut de Billie <\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\"><i>(Writing of Blues and Yellows, 2016)<\/i><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\"> me parece una colecci\u00f3n de historias, cuentos, reflexiones y retrospectiva. <\/span><\/span><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"color: #000000;\"><span style=\"font-size: medium;\">Identific\u00e1ndome con su honesto periodo de salud mental, sus primeras canciones me colocaron en el centro de su mente agotada por el exceso de pensamientos. Su voz impregnada de una fragilidad dulce penetr\u00f3 mi conciencia y resalt\u00f3 mi necesidad de valent\u00eda a partir de la sinceridad de su l\u00edrica.<\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\"><i><b>\u201cOh my lonely heart, she could hang around for days. Will never leave the house, something more than just a phase. She\u2019d eat occasionally, just as she likes.\u201d<\/b><\/i><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\"> (She Dances, 2019).<\/span><\/span><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"color: #000000;\"><span style=\"font-size: medium;\">Con dos \u00e1lbumes en las plataformas digitales (<\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\"><i>Writhing of Blues and Yellows; 2016 y Feeding Seahorses by Hand; 2019)<\/i><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\"> y un EP titulado <\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\"><i>As Long As (2015),<\/i><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\"> actualmente la compositora se encuentra en la producci\u00f3n de su tercer material discogr\u00e1fico. Con un primer sencillo que lleva como nombre \u201cOrange Tree\u201d y una letra un poco m\u00e1s madura, realista y sin met\u00e1foras, me hace creer que Billie Marten contin\u00faa en busca de su lugar feliz. <\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\"><i><b>\u201cI\u2019ve got blood, and I\u2019ve got love. I\u2019am so damn happy to be awake.\u201d <\/b><\/i><\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\">(Orange Tree, 2020).<\/span><\/span><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"color: #000000; font-family: Verdana, Geneva;\"><span style=\"font-size: medium;\">Encuentra su discograf\u00eda completa en las plataformas YouTube, Spotify, Amazon y Apple Music.<\/span><\/span><\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_8880\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=8880\"  data-item_title=\"Rese\u00f1as Sonoras: Billie Marten y su Melancol\u00eda Pastel\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/01\/Billiemarten-1024x576.jpg\"  data-item_date=\"2021-01-26T20:30:26-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"excerpt":{"rendered":"<p>Despu&eacute;s de refugiarme entre melod&iacute;as y palabras cantadas descubr&iacute; un sonido particular que me hace recordar a esa &eacute;poca incierta del a&ntilde;o, en donde el oto&ntilde;o a punto de culminar se prepara para te&ntilde;ir sus paisajes de tonalidades azules y blancas. Entre salpicaduras de amarillo y naranja, &aacute;rboles meci&eacute;ndose al comp&aacute;s de la m&uacute;sica del&#8230;<\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_8880\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=8880\"  data-item_title=\"Rese\u00f1as Sonoras: Billie Marten y su Melancol\u00eda Pastel\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/01\/Billiemarten-1024x576.jpg\"  data-item_date=\"2021-01-26T20:30:26-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"author":60,"featured_media":8883,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[5],"tags":[2549,2551,2550,2338,204,2268],"class_list":["post-8880","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinion","tag-billie-marten","tag-folk","tag-indi","tag-jazz","tag-musica","tag-plataformas"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rese\u00f1as Sonoras: Billie Marten y su Melancol\u00eda Pastel - Noticias<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=8880\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rese\u00f1as Sonoras: Billie Marten y su Melancol\u00eda Pastel - Noticias\" \/>\n<meta property=\"og:description\" content=\"Despu&eacute;s de refugiarme entre melod&iacute;as y palabras cantadas descubr&iacute; un sonido particular que me hace recordar a esa &eacute;poca incierta del a&ntilde;o, en donde el oto&ntilde;o a punto de culminar se prepara para te&ntilde;ir sus paisajes de tonalidades azules y blancas. 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