{"id":9018,"date":"2021-02-12T19:14:51","date_gmt":"2021-02-13T01:14:51","guid":{"rendered":"https:\/\/comunicacion.uaa.mx\/revista\/?p=9018"},"modified":"2021-02-10T16:17:08","modified_gmt":"2021-02-10T22:17:08","slug":"la-venganza-de-falconetti-y-la-obra-que-la-inmortalizo","status":"publish","type":"post","link":"https:\/\/comunicacion.uaa.mx\/revista\/?p=9018","title":{"rendered":"La Venganza de Falconetti y la Obra que la Inmortaliz\u00f3"},"content":{"rendered":"<p style=\"text-align: justify;\" align=\"justify\"><span style=\"color: #000000; font-family: Verdana, Geneva;\"><span style=\"font-size: medium;\">En esta ocasi\u00f3n quiero relatarte la tr\u00e1gica historia de Ren\u00e9e Jeanne Falconetti, mejor conocida como Mar\u00eda Falconetti, la actriz que se convirti\u00f3 en una de las personalidades m\u00e1s aclamadas de la historia del cine a pesar de s\u00f3lo haber protagonizado una pel\u00edcula: la legendaria \u201cLa Passion de Jeanne d\u2019Arc\u201d, dirigida por Carl Theodor Dreyer en 1928. <\/span><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"color: #000000; font-family: Verdana, Geneva;\"><span style=\"font-size: medium;\">Era Par\u00eds de 1918 cuando Falconetti de 26 a\u00f1os de edad, decidi\u00f3 rebelarse contra su familia y las costumbres de la \u00e9poca para dedicarse al teatro. En ese entonces, como las palabras \u201cactriz\u201d y \u201cprostituta\u201d eran consideradas lo mismo, vivi\u00f3 gran parte de su vida sumida en una pobreza devastadora y repudiada por la sociedad. <\/span><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"color: #000000; font-family: Verdana, Geneva;\"><span style=\"font-size: medium;\">Hasta que un d\u00eda despu\u00e9s de una funci\u00f3n teatral, apareci\u00f3 tras bambalinas un enigm\u00e1tico director dan\u00e9s que la convenci\u00f3 de protagonizar una pel\u00edcula que estaba planeando sobre Juana de Arco. El director se trataba de un cineasta llamado Carl Theodor Dreyer, que hab\u00eda comenzado a tener cierta popularidad por una pel\u00edcula llamada \u201cMaster of the House\u201d.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"color: #000000; font-family: Verdana, Geneva;\"><span style=\"font-size: medium;\">Durante la preparaci\u00f3n de la pel\u00edcula, el director le dijo a Falconetti que, para ser Juana de Arco, deb\u00eda cortarse el cabello, a lo que ella se neg\u00f3 rotundamente. Dreyer no dijo nada; pero entonces cuando comenzaron a grabar, y durante el frenes\u00ed de la filmaci\u00f3n, los mismos actores la raparon frente a la c\u00e1mara. <\/span><\/span><\/p>\n<p align=\"justify\"><a href=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/02\/A8-Falconetti-2.png\"><img fetchpriority=\"high\" decoding=\"async\" width=\"300\" height=\"223\" class=\"alignnone size-medium wp-image-9020\" src=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/02\/A8-Falconetti-2-300x223.png\" alt=\"\" srcset=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/02\/A8-Falconetti-2-300x223.png 300w, https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/02\/A8-Falconetti-2.png 640w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"color: #000000; font-family: Verdana, Geneva;\"><span style=\"font-size: medium;\">Falconetti se sent\u00eda ultrajada y humillada, y cuando ella solicit\u00f3 que la dejaran usar un poco de maquillaje para no verse tan mal, la ignoraron por completo. Nadie hac\u00eda caso a sus l\u00e1grimas ni s\u00faplicas, pues su objetivo era romperla. <\/span><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"color: #000000; font-family: Verdana, Geneva;\"><span style=\"font-size: medium;\">Pero las cosas reci\u00e9n comenzaban, ya que Dreyer hab\u00eda pasado un a\u00f1o entero investigando y leyendo las transcripciones del juicio en el que Juana de Arco fue condenada a la hoguera. Entonces concluy\u00f3 que, para lograr la representaci\u00f3n de una mujer emocionalmente destrozada, deb\u00eda llevar a Falconetti a un punto de quiebre en donde estallara la locura. <\/span><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"color: #000000; font-family: Verdana, Geneva;\"><span style=\"font-size: medium;\">Su m\u00e9todo se bas\u00f3 en hacerla repetir las escenas una y otra vez hasta que sus palabras dejaran de tener sentido y su mente estuviera al l\u00edmite; al borde de romperse.<\/span><\/span><\/p>\n<p align=\"justify\"><a href=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/02\/A8-Falconetti-3.png\"><img decoding=\"async\" width=\"300\" height=\"225\" class=\"alignnone size-medium wp-image-9021\" src=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/02\/A8-Falconetti-3-300x225.png\" alt=\"\" srcset=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/02\/A8-Falconetti-3-300x225.png 300w, https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/02\/A8-Falconetti-3.png 400w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"color: #000000;\"><span style=\"font-size: medium;\">Dreyer salt\u00f3 a la fama, pero Falconetti al borde del colapso, decidi\u00f3 renunciar para siempre al cine. Poco despu\u00e9s surgi\u00f3 la Segunda Guerra Mundial y escap\u00f3 a Suiza, despu\u00e9s a Brasil y finalmente termin\u00f3 en Buenos Aires, donde muri\u00f3 a causa de un desorden alimenticio ocasionado por su inestabilidad mental. <\/span><\/span><span style=\"color: #000000;\"><span style=\"font-size: medium;\"><b>Pero la historia no acab\u00f3 ah\u00ed. <\/b><\/span><\/span><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"color: #000000; font-family: Verdana, Geneva;\"><span style=\"font-size: medium;\">A penas unos meses despu\u00e9s de estrenarse, un gigantesco incendio arras\u00f3 con los estudios UFA de Berl\u00edn, en donde se consumi\u00f3 el negativo original del filme que destruy\u00f3 su vida, y que al mismo tiempo la inmortaliz\u00f3. Dreyer, desesperado, ensambl\u00f3 otro negativo con trozos de otras copias parciales del original, pero el negativo tambi\u00e9n pereci\u00f3 en un incendio en 1929. <\/span><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"color: #000000; font-family: Verdana, Geneva;\"><span style=\"font-size: medium;\">Perdidos ambos negativos, la \u00fanica copia que restaba de la pel\u00edcula era una copia censurada por las autoridades francesas. <\/span><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"color: #000000; font-family: Verdana, Geneva;\"><span style=\"font-size: medium;\">No obstante, lo m\u00e1s incre\u00edble de todo es que en 1981, el cuidador de un hospital psiqui\u00e1trico de Oslo encontr\u00f3 unos rollos de celuloide viejos guardados en una bodega. Y es que los rollos ten\u00edan una peque\u00f1a leyenda inscrita que dec\u00eda:<strong> \u201cLa Passion de Jeanne d\u2019Arc\u201d<\/strong>. Es decir, que eran una copia original del filme previo a la censura francesa.<\/span><\/span><\/p>\n<p align=\"justify\"><a href=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/02\/A8-Falconetti-4.png\"><img decoding=\"async\" width=\"300\" height=\"228\" class=\"alignnone size-medium wp-image-9022\" src=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/02\/A8-Falconetti-4-300x228.png\" alt=\"\" srcset=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/02\/A8-Falconetti-4-300x228.png 300w, https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/02\/A8-Falconetti-4-768x583.png 768w, https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/02\/A8-Falconetti-4-1024x778.png 1024w, https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/02\/A8-Falconetti-4.png 1422w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"color: #000000; font-family: Verdana, Geneva;\"><span style=\"font-size: medium;\">As\u00ed que Dreyer muri\u00f3 pensando que el corte original de su obra maestra se hab\u00eda perdido para siempre. \u00bfY Falconetti? Pues Falconetti obtuvo una venganza indirecta, de alguna manera. <\/span><\/span><\/p>\n<p style=\"text-align: justify;\" align=\"justify\"><span style=\"font-family: Verdana, Geneva;\"><span style=\"font-size: medium;\"><b>Fuente:<\/b><\/span><i><b> <\/b><\/i><span style=\"font-size: medium;\"><i>Pelidelasemana<\/i><\/span><\/span><\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_9018\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=9018\"  data-item_title=\"La Venganza de Falconetti y la Obra que la Inmortaliz\u00f3\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/02\/A8-Falconetti.png\"  data-item_date=\"2021-02-12T19:14:51-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"excerpt":{"rendered":"<p>En esta ocasi&oacute;n quiero relatarte la tr&aacute;gica historia de Ren&eacute;e Jeanne Falconetti, mejor conocida como Mar&iacute;a Falconetti, la actriz que se convirti&oacute; en una de las personalidades m&aacute;s aclamadas de la historia del cine a pesar de s&oacute;lo haber protagonizado una pel&iacute;cula: la legendaria &ldquo;La Passion de Jeanne d&rsquo;Arc&rdquo;, dirigida por Carl Theodor Dreyer en&#8230;<\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_9018\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=9018\"  data-item_title=\"La Venganza de Falconetti y la Obra que la Inmortaliz\u00f3\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/02\/A8-Falconetti.png\"  data-item_date=\"2021-02-12T19:14:51-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"author":60,"featured_media":9019,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1100],"tags":[1699,98,2639,1256,2638,603,2636,2637],"class_list":["post-9018","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinefilia","tag-abuso","tag-cine","tag-dreyer","tag-fama","tag-juana-de-arco","tag-mente","tag-perdida","tag-venganza"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - 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