{"id":9467,"date":"2021-05-03T16:25:36","date_gmt":"2021-05-03T22:25:36","guid":{"rendered":"https:\/\/comunicacion.uaa.mx\/revista\/?p=9467"},"modified":"2021-05-03T15:18:15","modified_gmt":"2021-05-03T21:18:15","slug":"ousmane-sembene-un-breve-repaso-por-el-cine-africano-y-la-critica-al-colonialismo","status":"publish","type":"post","link":"https:\/\/comunicacion.uaa.mx\/revista\/?p=9467","title":{"rendered":"Ousmane Semb\u00e9ne: Un Breve Repaso por el Cine Africano y la Cr\u00edtica al Colonialismo"},"content":{"rendered":"<p style=\"text-align: justify;\">Ousmane Semb\u00e9ne fue un escritor, cineasta y activista pol\u00edtico de la etnia Lebou de Senegal, reconocido por, a trav\u00e9s de su obra, haber denunciado las distintas violencias que vivieron las personas negras africanas a causa del colonialismo.<\/p>\n<p style=\"text-align: justify;\">Y si bien logr\u00f3 generar denuncias en contra del colonialismo mediante su literatura, se dio cuenta que a trav\u00e9s del cine pod\u00eda crear historias mucho m\u00e1s accesibles para el p\u00fablico y su propia audiencia.<\/p>\n<p style=\"text-align: justify;\">Por ejemplo, a trav\u00e9s de su cortometraje \u201cBorom Sarret\u201d (1963), o tambi\u00e9n conocido como \u201cEl Hombre de la Carreta\u201d, podemos observar a un trabajador que conduce una carreta y que intenta sacar dinero suficiente para dar de comer a su familia.<\/p>\n<p style=\"text-align: justify;\">En su pel\u00edcula \u201cLa noire de\u2026\u201d (1966), o bien, \u201cLa negra de\u2026\u201d cuenta la historia de una mujer negra trabajadora dom\u00e9stica, que es sometida por los m\u00faltiples abusos que cometen sus patrones blancos franceses.<\/p>\n<p style=\"text-align: justify;\"><em>\u201c\u00bfC\u00f3mo enfrentan este tipo de abusos?\u201d, \u201c\u00bfC\u00f3mo buscan justicia?\u201d<\/em> Son algunas de las reflexiones que emplea en sus pel\u00edculas.<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/04\/Cine-Africa-2.png\"><img fetchpriority=\"high\" decoding=\"async\" width=\"300\" height=\"169\" class=\"alignnone size-medium wp-image-9468\" src=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/04\/Cine-Africa-2-300x169.png\" alt=\"\" srcset=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/04\/Cine-Africa-2-300x169.png 300w, https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/04\/Cine-Africa-2-620x350.png 620w, https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/04\/Cine-Africa-2.png 754w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">Dirigi\u00f3 en total diez filmes. \u201cEmitai\u201d (1972) estuvo prohibida en Francia durante cinco a\u00f1os por su crudo y objetivo reflejo del colonialismo. En 1975 logr\u00f3 alcanzar su mayor \u00e9xito con \u201cJal\u00e1\u201d, tambi\u00e9n conocida como \u201cImpotencia\u201d.<\/p>\n<p style=\"text-align: justify;\">\u201cJala\u201d fue una s\u00e1tira que consisti\u00f3 en reflejar la obsesi\u00f3n de las autoridades religiosas y civiles de \u00c1frica occidental, por el vigor sexual y el hambre de poder. La pel\u00edcula fue prohibida en Senegal.<\/p>\n<p style=\"text-align: justify;\">A\u00f1os despu\u00e9s, cuando rod\u00f3 \u201cCeddo\u201d se volvi\u00f3 a enfrentar a la censura isl\u00e1mica. Sin embargo, se las ingeni\u00f3 para que, internacionalmente, se dieran a conocer las escenas que fueron excluidas.<\/p>\n<p style=\"text-align: justify;\">As\u00ed, de esta forma, expres\u00f3 en cada una de sus obras distintas realidades y contradicciones de las sociedades africanas, que van entre la tradici\u00f3n y las pr\u00e1cticas de desigualdad, el autoritarismo y la b\u00fasqueda de democratizaci\u00f3n; y la corrupci\u00f3n y el respeto por la comunidad.<\/p>\n<p style=\"text-align: justify;\"><strong>En YouTube puedes encontrar sus pel\u00edculas gratis y subtituladas en ingl\u00e9s.<\/strong><\/p>\n<p style=\"text-align: justify;\">\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_9467\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=9467\"  data-item_title=\"Ousmane Semb\u00e9ne: Un Breve Repaso por el Cine Africano y la Cr\u00edtica al Colonialismo\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/04\/Cine-Africa-P.png\"  data-item_date=\"2021-05-03T16:25:36-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"excerpt":{"rendered":"<p>Ousmane Semb&eacute;ne fue un escritor, cineasta y activista pol&iacute;tico de la etnia Lebou de Senegal, reconocido por, a trav&eacute;s de su obra, haber denunciado las distintas violencias que vivieron las personas negras africanas a causa del colonialismo. Y si bien logr&oacute; generar denuncias en contra del colonialismo mediante su literatura, se dio cuenta que a&#8230;<\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_9467\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=9467\"  data-item_title=\"Ousmane Semb\u00e9ne: Un Breve Repaso por el Cine Africano y la Cr\u00edtica al Colonialismo\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/04\/Cine-Africa-P.png\"  data-item_date=\"2021-05-03T16:25:36-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"author":60,"featured_media":9469,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1100],"tags":[98,2898,1092,2899,1101,2305],"class_list":["post-9467","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cinefilia","tag-cine","tag-colonialismo","tag-expresion","tag-ousmane-sembene","tag-protesta","tag-senegal"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ousmane Semb\u00e9ne: Un Breve Repaso por el Cine Africano y la Cr\u00edtica al Colonialismo - Noticias<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=9467\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ousmane Semb\u00e9ne: Un Breve Repaso por el Cine Africano y la Cr\u00edtica al Colonialismo - Noticias\" \/>\n<meta property=\"og:description\" content=\"Ousmane Semb&eacute;ne fue un escritor, cineasta y activista pol&iacute;tico de la etnia Lebou de Senegal, reconocido por, a trav&eacute;s de su obra, haber denunciado las distintas violencias que vivieron las personas negras africanas a causa del colonialismo. 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