{"id":9483,"date":"2021-04-09T12:16:10","date_gmt":"2021-04-09T18:16:10","guid":{"rendered":"https:\/\/comunicacion.uaa.mx\/revista\/?p=9483"},"modified":"2021-04-14T16:20:43","modified_gmt":"2021-04-14T22:20:43","slug":"damn-kendrick-lamar-entrega-un-gran-trabajo","status":"publish","type":"post","link":"https:\/\/comunicacion.uaa.mx\/revista\/?p=9483","title":{"rendered":"Damn, Kendrick Lamar Entrega un Gran Trabajo"},"content":{"rendered":"<p style=\"text-align: justify;\">A primera instancia, parecer\u00eda que el \u00e9xito y la calidad de un material discogr\u00e1fico radica en la honestidad del artista. En estos tiempos, muchos de esos \u201cartistas\u201d <em>mainstream<\/em> son personalidades ultramedi\u00e1ticas; por ello, desconfiamos de su honestidad. Su imagen y pose nos resultan un estereotipo com\u00fan. Con esa f\u00f3rmula e imagen general a cuestas,\u00a0 Kendrick Lamar logr\u00f3 entregarnos la que, probablemente, sea su mejor placa discogr\u00e1fica.<\/p>\n<p style=\"text-align: justify;\"><strong>DAMN<\/strong>, como su nombre lo indica, es un \u00e1lbum lleno de esa ira e intensidad que tanto ha distinguido a Kendrick. No necesita gritar o aumentar la velocidad todo el tiempo para que identifiquemos la rabia que tanto caracteriza a su m\u00fasica. Kendrick cre\u00f3 un \u00e1lbum que combina a la perfecci\u00f3n el hip hop de culto (rap de calle) con las versiones comerciales del g\u00e9nero. Incluso en aquellas canciones en las que colaboran artistas como Rihanna y, el mismo Bono.\u00a0 Adem\u00e1s, es el \u00e1lbum m\u00e1s honesto del artista hasta ahora. Como \u00e9l mismo ha dicho, es un disco en el que ha intentado plasmar sus valores, ideolog\u00edas y, contradicciones.<\/p>\n<p><a href=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/04\/Kendrick-2.png\"><img fetchpriority=\"high\" decoding=\"async\" width=\"300\" height=\"224\" class=\"alignnone size-medium wp-image-9498\" src=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/04\/Kendrick-2-300x224.png\" alt=\"\" srcset=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/04\/Kendrick-2-300x224.png 300w, https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/04\/Kendrick-2.png 389w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p style=\"text-align: justify;\">El \u00e1lbum inicia con \u201cBLOOD\u201d, intro en el que se escucha la grabaci\u00f3n de un sujeto que se acerca a ayudar a una mujer ciega; \u00e9sta acaba dispar\u00e1ndole. Contin\u00faa \u201cDNA\u201d, uno de los mejores tracks, Kendrick habla sobre clich\u00e9s y responde a las cr\u00edticas de los periodistas de Fox News, espec\u00edficamente Geraldo Rivera, quien afirmaba que \u201cel hip-hop era peor que el racismo para los j\u00f3venes afroamericanos\u201d.<\/p>\n<p style=\"text-align: justify;\">Prosiguen \u201cELEMENT\u201d y \u201cFEEL\u201d (otra de las mejores); ambas hablan de esos momentos en los que Kendrick sinti\u00f3 el peso del mundo en sus hombros.<\/p>\n<p style=\"text-align: justify;\">En \u201cPRIDE\u201d podemos escuchar un intro de Steve Lacy, de The Internet. \u201cHUMBLE\u201d, el primer sencillo, rompi\u00f3 Internet con su video musical.<\/p>\n<p style=\"text-align: justify;\">Posteriormente, llegan \u201cLOVE\u201d, un track m\u00e1s pop; y,\u00a0 \u201cFEAR\u201d, hace alusi\u00f3n a las amenazas que ha recibido Kendrick.<\/p>\n<p style=\"text-align: justify;\">\u201cGOD\u201d, se explica por el t\u00edtulo mismo. \u201cDUCKWORTH\u201d es una pista m\u00e1s personal; Lamar nos cuenta la historia de un sujeto que, por azares del destino, tom\u00f3 la decisi\u00f3n de no robar a alguien con quien se reencuentra 20 a\u00f1os despu\u00e9s en un estudio de grabaci\u00f3n.<\/p>\n<p style=\"text-align: justify;\">DAMN, destaca por la energ\u00eda que imprime Kendrick al tirar rimas, por el buen uso que hace de las repeticiones y, por la forma en la que el rapero se abre con sus fan\u00e1ticos. Lamar nos demuestra, una vez m\u00e1s, por qu\u00e9 es uno de los artistas m\u00e1s aclamados en su g\u00e9nero.<\/p>\n<p>(Diego Olvaldo Ram\u00edrez Albores, LCI, 8vo)<\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_9483\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=9483\"  data-item_title=\"Damn, Kendrick Lamar Entrega un Gran Trabajo\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/04\/Kendick-1.png\"  data-item_date=\"2021-04-09T12:16:10-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"excerpt":{"rendered":"<p>A primera instancia, parecer&iacute;a que el &eacute;xito y la calidad de un material discogr&aacute;fico radica en la honestidad del artista. En estos tiempos, muchos de esos &ldquo;artistas&rdquo; mainstream son personalidades ultramedi&aacute;ticas; por ello, desconfiamos de su honestidad. Su imagen y pose nos resultan un estereotipo com&uacute;n. Con esa f&oacute;rmula e imagen general a cuestas,&nbsp; Kendrick&#8230;<\/p>\n<div class=\"likebtn_container\" style=\"\"><!-- LikeBtn.com BEGIN --><span class=\"likebtn-wrapper\"  data-identifier=\"post_9483\"  data-lang=\"es\"  data-style=\"\"  data-unlike_allowed=\"\"  data-show_copyright=\"\"  data-item_url=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=9483\"  data-item_title=\"Damn, Kendrick Lamar Entrega un Gran Trabajo\"  data-item_image=\"https:\/\/comunicacion.uaa.mx\/revista\/wp-content\/uploads\/2021\/04\/Kendick-1.png\"  data-item_date=\"2021-04-09T12:16:10-06:00\"  data-engine=\"WordPress\"  data-plugin_v=\"2.6.64\"  data-event_handler=\"likebtn_eh\" ><\/span><!-- LikeBtn.com END --><\/div>","protected":false},"author":102,"featured_media":9497,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[6],"tags":[2919,1790,2917,2918,204,1791],"class_list":["post-9483","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-damn","tag-hip-hop","tag-kendrick","tag-lamar","tag-musica","tag-rap"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Damn, Kendrick Lamar Entrega un Gran Trabajo - Noticias<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/comunicacion.uaa.mx\/revista\/?p=9483\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Damn, Kendrick Lamar Entrega un Gran Trabajo - Noticias\" \/>\n<meta property=\"og:description\" content=\"A primera instancia, parecer&iacute;a que el &eacute;xito y la calidad de un material discogr&aacute;fico radica en la honestidad del artista. En estos tiempos, muchos de esos &ldquo;artistas&rdquo; mainstream son personalidades ultramedi&aacute;ticas; por ello, desconfiamos de su honestidad. Su imagen y pose nos resultan un estereotipo com&uacute;n. 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